'Mother-in-Law'’s
kitchen was infused with the sort of light which could only be accurately captured
by that miracle of Chinese film making - Zhang Yimou. Inside - the ambience was
Chinese rustic meets culinary museum as a poignant and pregnant romanticism
filled the cooking scent-filled air. I was poised – at the very tip of my metaphorical
seat, to engage, for the very first time, in my new family’s ‘Dumpling Festival’, otherwise known as Duan Wu Jie.
I
tittered a Frankie Howard titter when my new 'mother-in-law' offered me her
dumplings. It was a cultural misunderstanding – not the first and will
certainly not be the last. At the very last minute I realized that I was the
only one in the room getting the joke – the smile on my lips died an
ignominious death, the way of all such, and I let the bawdy Englishman in me
take a backseat for the remainder of our visit.
A
plate of small dumplings was set before us. It was being converted into a
‘still life’ which my wife was so painstakingly drawing, but as she did so the ‘subject’
was rapidly disappearing as I snatched sweet dumpling after sweet dumpling,
unwrapped and then dipped them into a gula Melaka (palm sugar) sauce. Dripping
with sauce, I proceeded to throw each summery coloured delicacy into my mouth
with barely room enough for breath. That pile of yellow dumplings (Ki Chang) –
so called because of their colour was reducing at an alarming rate – alarming
to my artist partner that is, not to me – I was quite happy with the way things
were going. I was not deterred by the stickiness of those goodies, nor of the
fiddliness of unwrapping the bamboo-leaf packaging. In fact, as time slipped by
I was becoming quite adept at unwrapping all things Chinese.
'Ma-in-Law'’s
antique fan-cooled kitchen spoke of sundry other worlds. It was enhanced with
flavoured teas from Japan, crispily dry crackers from the Americas and, of
course, a super-abundance of delicious foodstuffs from the mother country –
China. Woks bearing the patina of ages sat beside antique rice-cookers, those
rice-cookers sat next to aging hot water boilers bearing antediluvian brands,
while gleaming tins of straw mushrooms leaned on other tins stuffed with black
bean sauce doused fried Dace.
We
sat, correction – I sat, and consumed delicious sweet yellow dumplings while
dragon-boats bobbed up and down on equatorial waters a few kilometers away and
memories of dead Chinese poets haunted the warm air. It was my very first ‘Dumpling Festival’ and aside from a
heaviness brought about by over consumption, the day was looking like a great
success.
That
visit, unlike previous visits where car tyres were counted and I was grilled as
to my intentions towards the family’s only daughter, was also looking like a
great success as Dim Sum followed dumplings and yet more dumplings followed Dim
Sum. My waistline – a little dormant over a six month period, began to assert
itself onto my (British bought) Bangladeshi leather belt. It was a gluttonous
day, a day concerned with 'Mother-in-Law'’s dumplings, of long forgotten delights
of Chinese delicacies and, ultimately, the warmth, love and care of families. Schoolboy
titters had long since been left in the playground of my memory, and cultural
misunderstanding pushed to the side of the plate as the last yellow dumpling
slipped with ease from the fork, seemingly dipped itself into the sweet sauce
and hastened its way to my waistline. Then, SUV loaded and permanently visiting
stray dog stuffed back onto the rear seat - we once more shot down the
North/South Highway, back towards the city haze, to suburbia and home.